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Carlotta Grisi (born Caronne Adele Josephine Marie Grisi; 28 June 1819 – 20 May 1899) was an Italian ballet dancer. Born in Visinada, Istria (present-day Vižinada, Croatia). Although her parents were not involved in the theatre, she was brought up in an opera family. She was trained at the ballet school of Teatro alla Scala in Milan and later with dancer/balletmaster Jules Perrot. She was especially noted for her performance in the classic role of Giselle.
Her greatest role however was that of Giselle. The world Premiere of this two-act ballet was on 28 June 1841 at the Théâtre de l'Académie Royale de Musique, Paris. The part of "Albrecht" was danced by Lucien Petipa (the brother of the great Marius Petipa), with the part of Myrtha, Queen of the Wilis danced by Adèle Dumilâtre. It caused a sensation and inspired its reviewers to proclaim Giselle to be the greatest ballet of its time and a triumphant successor to the Romantic music masterwork La Sylphide. It immediately established Grisi as a star in her very first full-length ballet in Paris. Her salary grew from 5,000 Franc to 12,000 in 1842 and 20,000 by 1844, with additional performance fees on top. It also marked the beginning of a change in her relationship with Jules Perrot.
Dance historian Lillian Moore says of her "In Grisi were united all the best attributes of the other outstanding ballerinas of the romantic period: the buoyant elevation of Marie Taglioni, the technical virtuosity and mimic powers of Fanny Elssler, and the joyous, exuberant facility of Fanny Cerrito. If she could not claim to surpass her peers in any one aspect of her art, Grisi outstripped them all in versatility."
Grisi's last performance in the west was in Paul Taglioni's Les Métamorphoses (aka Satanella, 1849).
In 1850, she joined Perrot in Saint Petersburg, Russia, where he had been appointed ballet master, and she danced Giselle at the Imperial Bolshoi Kamenny Theatre. The first Giselle in Russia had been danced by Fanny Elssler, and so the initial reaction to Grisi's interpretation of the role was not enthusiastic. However, over time the Russians appreciated her talents. She was prima ballerina of the St. Petersburg Imperial Theatres in St. Petersburg from 1850 to 1853, working not only with Perrot but also Joseph Mazilier who staged for her La Jolie Fille de Gand and Vert-Vert especially for her.
In 1854, with her daughter, Julie-Marie, she left Russia for Warsaw, where she intended to continue dancing. But she became pregnant by Prince Léon Radziwill, who persuaded her to retire from ballet at the height of her fame. Grisi gave birth to her second daughter, Léontine Grisi, in 1855 and at the age of 34 settled in Saint-Jean, Geneva to live at Villa Grisi (also called Villa Saint-Jean; no longer extant),Photograph of Villa Grisi (also called Villa Saint-Jean) here under the Théophile Gautier Society for the next 46 years of her life in peaceful retirement. She died there on 20 May 1899, at age 79.Burial took place on 23 May 1899, her tomb is located in Cimetière de Châtelaine, Ward 10, Grave 1 (certified by the Cemeteries and Crematorium Services of the City of Geneva, 2011)
One of the creators of Giselle, Théophile Gautier, who was married to Carlotta's sister Ernestina, described her dancing as having a childlike artlessness, a happy and infectious gaiety. Carlotta Grisi was the cousin of the famous soprano singers, the sisters Giuditta Grisi and Giulia Grisi.
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